It’s Friday! We take a stand on naming two new ships. Trust us, we’re misfits; our names are better.
I intended to talk a little more about Merlin and Percival. But time and toddlers truncated the list a little. So I’ll just note that in the legends, Merlin is variously trapped in a cave or in a tree, so this is entirely legit. The tree theme fits Once much better, no matter how obscure it is. Percival seems to be dead, but the next episode title, “Siege Perilous,” refers to the seat at the Round Table left vacant for the person who eventually succeeds on the Grail quest. Percival.
Henry calls his mom on the dock. Three times. While it functions as a narrative device to remind old viewers and inform new ones that calling the Dark One by name draws his or her attention to you, it’s also a direct shout out to Michael Keaton’s second best role. Here he spells it out for you.
The Empire Strikes Back
Not so much Star Wars in this episode, especially compared to last week. There are hints of it in Emma’s dress in Camelot. But the real moment recalls the eighties’ best shipper moment in Cloud City’s carbon-freezing chamber.
Kilian: “You look…”
Emma: “I know.”
The Erinyes were Greek spirits of vengeance who targeted oathbreakers. Neal Gaiman’s beloved Sandman popularized The Kindly Ones as irresistable collectors of blood debts. Invoking them with the crass “fury,” tends to draw their attention to you, so they’re a good choice for an episode where we’re being reminded about some of the Dark One rules.
Bonus – Reboot: It kind of looks like Hexadecimal. Crazy.
In order to have a fury and retain some dramatic tension – they usually just annihilate their targets – the writers have it deliver Robin to a body of water where we get some more Greek mythology. A hooded figure approaches on a narrow boat. This is Charon, the ferryman of Hades.
Does this mean we’ll be seeing Hercules or the Olympians? Probably not. If anything it’s a visual segue into some Gargoyles references. Anyway, is that an ugly duckling in the lower right?
Guardians of the Galaxy
The magic of friendship defeats the baddie, refies Regina’s position as the new Savior, and 100% references the third highest-grossing film in the Marvel Cinematic Universe. Nerds will tell you that other movies used the trope. Cynical hipsters will point out that Buffy and Captain Planet did this all the time. And yet…
For what it’s worth, Arthur is the last person to to offer his help. That’s not an accident.
Beauty and the Beast
Yes, everyone knows the rose in the bell(e) jar is a reference. But here they’re showing the falling petals. They’re keeping the awkward thing around because they’ll be referencing every important scene with it.
While Once is never going to match Aronofsky’s body horror, the narratological similarity is undeniable. Power and transformation represented by an uncontrollabale dermatological condition. Terrifying and yet desired.
Henry’s boon from the Savior is playing Yazoo’s 1999 remix of their 1982 hit. So’s the jukebox at Granny’s. Technically the town was trapped in the eighties for decades, so I guess this is legit. The lyrics seem to have more to do with Emma and Killian, though.
Nick & Norah’s Infinite Playlist
I originally thought the whole shared headphones thing with Violet and Henry was an Eleanor & Park reference. You know, because it looks so much like the cover. But it turns out that “Only You” is actually on Norah’s playlist according to Rachel Cohn, so.
We talk about the Fisher King here on The Dinglehopper, and we’ll have plenty of opportunities this season. But this episode made it absolutely clear that this version of Excalibur and the Dark One Dagger (cf Wavy Knife) were connected, indeed pieces of the same thing. So we have the Fisher King’s wound imagery covered.
Erin’s Happy Shipper Moments
The peril! The irony! Evil Charming and Captain Beauty come to the fore! And a brand new ship which we dub Purple Prose!
Captain Beauty (Captain Book? Belle Hooks!)
Belle opens up to Hook about how hard it is to love the Dark One. They share drinks and emotions. Perhaps soon they’ll realize the folly of loving one who cannot love them back and turn to each other for romantic solace.
In Camelot, Emma and Hook get their second ball together. This one is no less dramatic than the first, but at least they’re not the ones at the center of the attempted killing action. Instead, we get a nice little exchange between them regarding Emma’s beauty. “Swan, you look…” “I know.”
In Storybrooke, Dark One Emma finally has a house all to herself, but ironically Hook doesn’t want to use that new chance for intimacy if she’s going to be all evil and stuff. Despite previously being fairly evil himself, he’s no longer into that kind of romance. If it ain’t savior-lovin’, he wants none of it. Is there any surprise that true love’s kiss fails if he’s going to be so judgy?
In general, Killian remains deeply focused and concerned about Emma’s darkness. She still wants a relationship with him, but the implications of her attempted seduction are that her interest is mostly shallow and lusty. (I’m kinda okay with that.) But I’m not sure that’s all of it. Her longing look into Granny’s shows her loneliness. Hook may be losing good opportunities to pull her back to him.
Killian, meanwhile, turns to the rum. Belle asks him if he tried to kiss her. “Aye. She didn’t even flinch. It’s not over. I spent over a century trying to kill the Crocodile. I can spend at least that trying to save the woman I love.”
When Regina doesn’t know how to dance, David steps forward to teach her. It’s an adorable moment between a couple that rarely gets screen time without that harpy of a woman, Mary Margaret. Did you catch her Snowsplaining David’s response to Regina’s first choice of ball gown? That woman needs to get out of his way.
Regina doubts she’ll convince the town she can be the savior. Robin attempts to reassure her. He believes in her. But then a Fury grabs him, and Regina’s doubts must fall away as she is called to act the savior, not just claim the title.
When she discovers she must sacrifice a life to save Robin from the Fury, she hesitates only a moment before putting her own life up in trade. Seems those two just can’t stop trying to sacrifice themselves to save the other from harm. That’s one definition of love for you–though a short lived one.
In the backstory from Camelot, Robin throws himself in front of Percival’s blade when he attacks Regina. Regina asks Emma to save his life when she herself cannot, even though Emma will have to use dark magic to do it. And, of course, all magic has a price.
Henry gets prodded by Gramps to go talk to the pretty teen princess in Camelot and woos her with his strange magical music box that was a gift from the savior for saving everyone from an alternate reality. Yeah, that’ll impress the chicks. And because she doesn’t know anything about popular music, she doesn’t think it strange that he’s got obscure 20-year-old tunes on said music box.
Also not registering as strange: Granny has the same song on her jukebox. What, did Henry write the playlist? I’m beginning to suspect he doesn’t really need a pen.
Rumple is still comatose. Belle shares how hard it is to love the Dark One with Hook. Clearly her feelings for Rumple are strong, not nearly as “over” as she might want to believe.
In Camelot, Leroy buoys Belle’s spirit by pointing out that the rose is half full, not half empty. “Each of those petals is a chance to save him.”
David attempts to soothe Mary Margaret’s clear distress over Emma. He assures her they’ll win and get Emma back. But Snow remains pessimistic–“If we win, Emma loses.”
Regina negotiates her literal control of Emma’s actions in Camelot to awkward, humorous, and touching effects. But, oh, the fanfic possibilities.
More importantly, Emma is willing to use dark magic to save Regina’s happiness in the form of Robin. She’s willing to pay the price for the magic, even as Ghost Rumple explains that’s not how it works.