In Cell by Cell, I look deeply into the panels of an issue, appreciating and analyzing the story and artistic composition.
The 2-page title spread and credits. This spread juxtaposes the lofty diction of the Fathers’ decree of their punishment with the faces of the newly formed ACO Megaton Team. And as they are in the action of the story, the two are at odds.
The Fathers’ liken these women, “beyond correction or castigation,” to an illness–cancer–which must be cut out of the body before it is destroyed. Feminism here, the revolt against the expectations of women in society, is cast as a serious threat to society, not a force that might strengthen it by elevating the oppressed to fully participate and contribute. To keep their hold over society, the Fathers’ law is pitched with a mythic or biblical diction. Though these women are being cast out, the Mother is called upon to give their souls mercy. The Mother is the only salvation left to them.
Asserting against the Fathers’ word is the collage of faces. The mix of facial features, skin tones, and expressions gives image to the term “intersectional.” What is striking is the diversity of the team, and yet, each has an expression of contained aggression–some serious, others with a slight smirk or raised eyebrow to suggest a tinge of enjoyment. They come from different places, carrying with them the punishment of various crimes, but now they are a team.
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