The Dinglehopper

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The Prestige as MetaCinema

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I have mixed feelings about Christopher Nolan, who lost me after The Dark Knight Rises. But his earlier work still wows me. Recently I got to thinking about The Prestige for use in my film class, and then, like magic, Evan Puschak (Nerdwriter) made an insightful video about.

In the video Puschak explores the way that the film hides its big secret in plain sight, using our desire to be tricked against us until Nolan wants us to see the truth. It’s a clever film, well-acted, and fully engaging. Puschak examines the imagery, narrative order, and editing to create an analogy to the power of cinema. This isn’t a new breakthrough exactly, Nolan has often dealt with cinema as his metaphorical subject in other films, like Inception.  Here, though, it holds extra charm, since the film works as a magic trick too, following the same design that Michael Caine’s character lays out in the opening, the three parts of the magic trick.

If you’re a fan of The Prestige or of Nolan in general, I highly recommend taking in the 7 minutes of Puschak’s analysis.

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Author: Erin Perry

I'm a high school English teacher specializing in AP Literature and Film Analysis. I'm interested in most things geeky, including superheroes, vampires, zombies, teen culture, postmodern philosophy, pop culture analysis, and combinations of the aforementioned. Follow me on Twitter @eriuperry.

One thought on “The Prestige as MetaCinema

  1. I definitely agree with you ! When i saw prestige i was already a fan of Nolan and i didn’t expect to be so good . That is why Nolan is one of my favourite directors of all time .

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