Young Avengers: Style>Substance
Writer: Kieron Gillen
Artist: Jamie McKelvie
Colorist: Matt Wilson
Letterer: Clayton Cowles
Legacy isn’t a dirty word…but it’s an irrelevant one. It’s not important what our parents did. It matters what WE do. Someone has to save the world. You’re someone. Do the math. The critically acclaimed team of Kieron Gillen and Jamie McKelvie reinvent the teen super hero comic for the 21st century, uniting Wiccan, Hulkling and Kate “Hawkeye” Bishop with Kid Loki, Marvel Boy and Ms. America. No pressure, right? As a figure from Loki’s past emerges, Wiccan makes a horrible mistake that comes back to bite everyone on their communal posteriors. Fight scenes! Fake IDs! And plentiful feels! (aka “meaningful emotional character beats” for people who aren’t on tumblr.) Young Avengers is as NOW! as the air in your lungs, and twice as vital. Hyperbole is the BEST! THING! EVER!
I’d heard good things about this series and after being smitten by The Wicked + The Divine, by the very same creative team, I made the time to check it out. Part of the Marvel Now! rebranding initiative, the title was meant to entice new readers. So it’s something of a relaunch using existing characters but introducing a new group and storyline. I was familiar with one or two of the characters and wondered if I’d get lost, but after only a few pages I was rocking right along.
Young Avengers is a fun book, which is not to say it’s light. The teen years can be dark, full of emotion and angst and struggle. The trick is translating that to the comics page and turning it into something interesting, something with stakes.
This is something Gillen’s done quite brilliantly. Introducing the team via relationship dynamics, creating the conflict out of love and longing, and casting the villain as an invading alien parent all contribute to the intimate yet universal character of the story. Teens it turns out, are the perfect people for us against the world superheroics.
The characters, action, and setting evolve like a mixtape. Dense, complex verses with catchy hooks and languid bridges combining toward a mood that intensifies chapter to chapter. Longtime Marvel fans will recognize familiar plot points and tertiary characters and honestly the more you know, the more clever it will all seem. But there’s no barrier to entry here. All you need is open eyes.
Use them to appreciate Jamie McKelvie’s frankly brilliant design. Propulsive eight panel grids give way to inventive two page splashes that demonstrate both what the medium can accomplish on its best days and how to keep experimental structures solidly on task. Of course this is aided by Matt Wilson’s colors. They make the right parts of every panel pop and subtly set the mood.
If you’re a Gillen fan, or a Marvel fan, or a fan of being awesome, you’ll probably like this book.