The Dinglehopper

You've Probably Never Heard of Us


Leave a comment

Transcending in the Poetry of e.e. cummings

i carryHow excited I was when I saw that the most recent Nerdwriter video was going to examine one of my favorite poets and one that I teach in class each year: e.e. cummings. Cummings is a tricky but beloved poet because he is inventively flexible with language. Sometimes his poems seem nonsensical until looked at from the right angle. He plays with spacing, capitalization, and punctuation to force his reader into a new perspective to take in his words. He uses wordplay and pun, layering meanings to amplify ambiguities.

Evan Puschak looks specifically at cummings’ love poem “i carry your heart with me (i carry it in” which is one of his most accessible and universal poems. Puschak examines the universal concrete images of the poem, the two spaces of inside and outside the parantheses, as well as the transcendental philosophy cummings presented throughout his poetry.

I will excitedly show this video to my students. Puschak has once again taken a complex piece of art and clearly shown how it creates its meaning. If you have any love for or interest in poetry, check this one out.

Advertisements


1 Comment

The Prestige as MetaCinema

I have mixed feelings about Christopher Nolan, who lost me after The Dark Knight Rises. But his earlier work still wows me. Recently I got to thinking about The Prestige for use in my film class, and then, like magic, Evan Puschak (Nerdwriter) made an insightful video about.

In the video Puschak explores the way that the film hides its big secret in plain sight, using our desire to be tricked against us until Nolan wants us to see the truth. It’s a clever film, well-acted, and fully engaging. Puschak examines the imagery, narrative order, and editing to create an analogy to the power of cinema. This isn’t a new breakthrough exactly, Nolan has often dealt with cinema as his metaphorical subject in other films, like Inception.  Here, though, it holds extra charm, since the film works as a magic trick too, following the same design that Michael Caine’s character lays out in the opening, the three parts of the magic trick.

If you’re a fan of The Prestige or of Nolan in general, I highly recommend taking in the 7 minutes of Puschak’s analysis.


Leave a comment

Exploring Emotional Theory in Inside Out with the Nerdwriter

Evan Puschak, aka the Nerdwriter, has been busy, pumping out a deep look at culture, art, and society every Wednesday. About a week ago, he dropped an examination of Inside Out. He looks at the scientific emotional theory which inspired the film, its accuracies and inaccuracies, and other competing contemporary emotional theories.

insideoutfeelings

The video is loaded with great information, but one of the most striking insights he offers is the way Riley’s mind also reflects our world. Her memory storage looks like a data center, and the scariest place in her brain isn’t the subconscious jail with her greatest fear inside but the void where memories are lost. This mirrors the anxieties of our world where one of the biggest concerns is data loss.

And in the end, he reaffirms what all us parents have loved about Inside Out since it premiered: it teaches solid emotional intelligence through archetypal characters.


Leave a comment

Nerdwriter Reveals New Insights in “Children of Men: Don’t Ignore the Background”

I’m a big fan of Alfonso Cuaron’s Children of Men. The film rewards re-watching and analysis as it is full of literary and artistic references to deliver its ever-more prescient view of the world’s near future. See my series here on its use of Wasteland/Fisher King Mythology.

When I found out that Nerdwriter–he whom I’ve been loving on lots lately–had done a video essay on the use of background in Children of Men, I was excited to see what he would say. I wasn’t exactly expecting to be surprised, but in fact, he did teach me a few new things. (I love learning new things!)

theoguernica

Evan Puschak’s video looks somewhat behind the main narrative of Kee and Theo to examine the backgrounds that frequently steal the camera’s attention. He delves into the imagery to elucidate not only the social narrative Cuaron has constructed but also the artistic allusions used to deepen the setting. From The Birth of Venus to Guernica to Pink Floyd’s Animals, Children of Men masterfully folds in cultural references to build the historical progression to the dystopia Theo lives in.

If you’re even a mild fan of this film, Nerdwriter’s video essay on its backgrounds is not to be missed.


Leave a comment

Postmodernism 101 with the Nerdwriter

One of our favorite video essayists, Evan Puschak, the Nerdwriter, has been examining some key postmodern theories with the new videos of the last couple weeks. The first of these looks at the idea that the medium is the message. The second takes a look at the lack of truth in representation.Margritti this is not a pipe

The concern behind the statement “the medium is the message” is that consumers of any medium of expression may be unwittingly affected by the invisible aspects of the medium, that the “program” being presented is incidental. Consider television, whose medium brought to the forefront advertisements. As far as television is concerned, the watching of the ads is the most important aspect. It is the moneymaking part of the venture. What an audience watches to bring them to the advertisements is of very little concern. Puschak also discusses the aspects of the online video that are unique in its medium, how it is different from watching television. As far as postmodernism is concerned, television changed everything through its medium, not its programming. The internet even more so. Engaging with these mediums affects how we think, behave, communicate, and thus how we interpret our world.

In Magritte’s The Treachery of Images, representation itself–a likeness in art or referent in language–is undermined and then dismantled. As one of the most famous of postmodern art pieces, the painting highlights a radical postmodern notion: that we cannot authentically differentiate reality from simulation. Our brains, so used to representation in imagery and language, so dependent on signs to create the meaning in our lives, are duped by the system of semiotics into assumptions that are false.


Leave a comment

Expert Explication: Understanding Art on “Leda and the Swan”

Nerdwriter, you’ve sent my body into nerd tingles.

wbyeatsI am something of an authority on explicating poetry since close reading is the cornerstone of the College Board AP English Literature curriculum, and that’s been my jam for the last 13 years. When it’s done really expertly, like in the “Understanding Art|POETRY|Leda and the Swan” video essay by Evan Puschak, Nerdwriter, a juicy, insightful explication can make an ol’ square sonnet suddenly seem like the heavens opening and enlightenment being conferred upon you by the hand of God herself.

At least, that’s how it makes me feel. And this response is truly rare. Because doing an expert-level explication is HARD, though Puschak makes it look effortless. I’ll be showing this video to my students and breaking down the levels of interpretation, analysis, and synthesis he’s doing as a model for how they might achieve their own mastery in close reading.

The poem itself is seemingly a retelling of a moldy, old myth–Zeus’s “seduction” of Leda while in the form of a swan–but as Puschak makes clear, this poem is full of blood and urgency, even to a modern audience. It is a poem that speaks not only to the personal pain of sexual assault but also the epic machinations of whole societies rising and falling. In only 14 lines. Wow.

Bonus: “Leda and the Swan” is by one of my favorite poets, the myth-obsessed Irish nationalist William Butler Yeats, and Puschak includes an explanation of Yeats’ historical gyres theory as well, tying “Leda” to “The Second Coming.”


Leave a comment

Comedians as Moral Detectives

detective louisAlthough humor is frequently dismissed as low entertainment, engaging laughter, seen as the shallowest of emotional responses, comedy actually functions in important ways for a society. Whether in the form of fools, clowns, or tricksters, comedians have played a role of defining moral boundaries since ancient times. In Pueblo society, clowns are often the only ones who can touch delicate issues within the community. For example, at a ceremonial dance, a clown might pull to the center of the crowd a married man of standing and the mistress that he is having an affair with, put a bike tire innertube around the couple, and perform a mock marriage ceremony to publicly shame the two.

Now Nerdwriter, Evan Puschak, has created a video examining this phenomenon. In it he astutely unpacks a joke Louis C.K. opened SNL with concerning pedophilia, looking at multiple responses to performance and establishing it as part of a tradition in which society gives slack to comedians to talk about delicate subjects in the interest of testing the moral walls of that society. The joke itself may initially seem in poor taste, but it ultimately reframes a conversation about a repulsive drive in some people that most people don’t want to think about much less examine.