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References and Shipping in Once Upon a Time “The Price”

It’s Friday! We take a stand on naming two new ships. Trust us, we’re misfits; our names are better.

Michael’s “Always… no, no… never… forget to check your references.” (now with a sound file)

I intended to talk a little more about Merlin and Percival. But time and toddlers truncated the list a little. So I’ll just note that in the legends, Merlin is variously trapped in a cave or in a tree, so this is entirely legit. The tree theme fits Once much better, no matter how obscure it is. Percival seems to be dead, but the next episode title, “Siege Perilous,” refers to the seat at the Round Table left vacant for the person who eventually succeeds on the Grail quest. Percival.

Beetlejuice

Henry calls his mom on the dock. Three times. While it functions as a narrative device to remind old viewers and inform new ones that calling the Dark One by name draws his or her attention to you, it’s also a direct shout out to Michael Keaton’s second best role. Here he spells it out for you.

The Empire Strikes Back

Not I love youso much Star Wars in this episode, especially compared to last week. There are hints of it in Emma’s dress in Camelot. But the real moment recalls the eighties’ best shipper moment in Cloud City’s carbon-freezing chamber.

Kilian: “You look…”

Emma: “I know.”

Sandman

The Erinyes were Greek spirits of vengeance who targeted oathbreakers. Neal Gaiman’s beloved Sandman popularized The Kindly Ones as irresistable collectors of blood debts. Invoking them with the crass “fury,” tends to draw their attention to you, so they’re a good choice for an episode where we’re being reminded about some of the Dark One rules.

OUaT Fury

Bonus – Reboot: It kind of looks like Hexadecimal. Crazy.

Charon

In order to have a fury and retain some dramatic tension – they usually just annihilate their targets – the writers have it deliver Robin to a body of water where we get some more Greek mythology. A hooded figure approaches on a narrow boat. This is Charon, the ferryman of Hades.

Once Upon a Time 5x02 Charon

Does this mean we’ll be seeing Hercules or the Olympians? Probably not. If anything it’s a visual segue into some Gargoyles references. Anyway, is that an ugly duckling in the lower right?

Guardians of the Galaxy

The magic of friendship defeats the baddie, refies Regina’s position as the new Savior, and 100% references the third highest-grossing film in the Marvel Cinematic Universe. Nerds will tell you that other movies used the trope. Cynical hipsters will point out that Buffy and Captain Planet did this all the time. And yet…

OUaT GotG Friendship is Magic

For what it’s worth, Arthur is the last person to to offer his help. That’s not an accident.

Beauty and the Beast

Yes, everyone knows the rose in the bell(e) jar is a reference. But here they’re showing the falling petals. They’re keeping the awkward thing around because they’ll be referencing every important scene with it.

5x02 Rose Petals

Black Swan

While Once is never going to match Aronofsky’s body horror, the narratological similarity is undeniable. Power and transformation represented by an uncontrollabale dermatological condition. Terrifying and yet desired.

5x02 Dermatological Power

“Only You”

Henry’s boon from the Savior is playing Yazoo’s 1999 remix of their 1982 hit. So’s the jukebox at Granny’s. Technically the town was trapped in the eighties for decades, so I guess this is legit. The lyrics seem to have more to do with Emma and Killian, though.

Nick & Norah’s Infinite Playlist

I originally thought the whole shared headphones thing with Violet and Henry was an Eleanor & Park reference. You know, because it looks so much like the cover. But it turns out that “Only You” is actually on Norah’s playlist according to Rachel Cohn, so.

5x02 headphones

Fisher King

We talk about the Fisher King here on The Dinglehopper, and we’ll have plenty of opportunities this season. But this episode made it absolutely clear that this version of Excalibur and the Dark One Dagger (cf Wavy Knife) were connected, indeed pieces of the same thing. So we have the Fisher King’s wound imagery covered.

Erin’s Happy Shipper Moments

The peril! The irony! Evil Charming and Captain Beauty come to the fore! And a brand new ship which we dub Purple Prose!

Captain Beauty (Captain Book? Belle Hooks!)

Belle opens up to Hook about how hard it is to love the Dark One. They share drinks and emotions. Perhaps soon they’ll realize the folly of loving one who cannot love them back and turn to each other for romantic solace.

BelleHooks

Captain Swan

In Camelot, Emma and Hook get their second ball together. This one is no less dramatic than the first, but at least they’re not the ones at the center of the attempted killing action. Instead, we get a nice little exchange between them regarding Emma’s beauty. “Swan, you look…” “I know.”

In Storybrooke, Dark One Emma finally has a house all to herself, but ironically Hook doesn’t want to use that new chance for intimacy if she’s going to be all evil and stuff. Despite previously being fairly evil himself, he’s no longer into that kind of romance. If it ain’t savior-lovin’, he wants none of it. Is there any surprise that true love’s kiss fails if he’s going to be so judgy?

In general, Killian remains deeply focused and concerned about Emma’s darkness. She still wants a relationship with him, but the implications of her attempted seduction are that her interest is mostly shallow and lusty. (I’m kinda okay with that.) But I’m not sure that’s all of it. Her longing look into Granny’s shows her loneliness. Hook may be losing good opportunities to pull her back to him.

Killian, meanwhile, turns to the rum. Belle asks him if he tried to kiss her. “Aye. She didn’t even flinch. It’s not over. I spent over a century trying to kill the Crocodile. I can spend at least that trying to save the woman I love.”

Evil Charming

When Regina doesn’t know how to dance, David steps forward to teach her. It’s an adorable moment between a couple that rarely gets screen time without that harpy of a woman, Mary Margaret. Did you catch her Snowsplaining David’s response to Regina’s first choice of ball gown? That woman needs to get out of his way.

Outlaw Queen

Regina doubts she’ll convince the town she can be the savior. Robin attempts to reassure her. He believes in her. But then a Fury grabs him, and Regina’s doubts must fall away as she is called to act the savior, not just claim the title.

When she discovers she must sacrifice a life to save Robin from the Fury, she hesitates only a moment before putting her own life up in trade. Seems those two just can’t stop trying to sacrifice themselves to save the other from harm. That’s one definition of love for you–though a short lived one.

In the backstory from Camelot, Robin throws himself in front of Percival’s blade when he attacks Regina. Regina asks Emma to save his life when she herself cannot, even though Emma will have to use dark magic to do it. And, of course, all magic has a price.

Purple Prose

Henry gets prodded by Gramps to go talk to the pretty teen princess in Camelot and woos her with his strange magical music box that was a gift from the savior for saving everyone from an alternate reality. Yeah, that’ll impress the chicks. And because she doesn’t know anything about popular music, she doesn’t think it strange that he’s got obscure 20-year-old tunes on said music box.

Also not registering as strange: Granny has the same song on her jukebox. What, did Henry write the playlist? I’m beginning to suspect he doesn’t really need a pen.

Rumpbelle

Rumple is still comatose. Belle shares how hard it is to love the Dark One with Hook. Clearly her feelings for Rumple are strong, not nearly as “over” as she might want to believe.

In Camelot, Leroy buoys Belle’s spirit by pointing out that the rose is half full, not half empty. “Each of those petals is a chance to save him.”

Snowing

David attempts to soothe Mary Margaret’s clear distress over Emma. He assures her they’ll win and get Emma back. But Snow remains pessimistic–“If we win, Emma loses.”

Swan Queen

Regina negotiates her literal control of Emma’s actions in Camelot to awkward, humorous, and touching effects. But, oh, the fanfic possibilities.

More importantly, Emma is willing to use dark magic to save Regina’s happiness in the form of Robin. She’s willing to pay the price for the magic, even as Ghost Rumple explains that’s not how it works.

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References and Shipping in Once Upon a Time “Dark Swan”

Our turnaround is going to be little longer this season. The premiere is allusive. And Swan Queens get their first tear jerker.

Michael’s “Always… no, no… never… forget to check your references.” (now with a sound file)

I wanted to address a couple references that weren’t technically part of the premiere episode that nonetheless bear on the season and the show. These have mostly to do with the promotional materials both online and off. And they might provide some insight into the overall arc. Or not.

Black Swan

The imagery on the first promo poster draws heavily from 2010 Aronofsky film, but goes for a slicker, more stylized look.

Black Swan Dark Swan

The storyline requires Emma, the embodiment of good as the Savior, to portray her opposite, The Dark One. Oddly enough, there was another Black Swan in 1910 about a reformed pirate. Writers are nerds.

The Dark Knight Rises

This is mostly about color scheme and graphics. What you’re seeing below is clearly twister imagery but the particular monochromatic palette hollers Nolan’s trilogy. The word choice cinches it. Batman plays for the other team, but he can still function as an archetype. Modern Batman is always walking the knife edge between heroism and villainy and I bet that’s what we’re going to see in this story.

The Dark Swan Shall Rise

Batman

One of maybe three truly iconic caped crusader poses. It’s unbelievably convenient that it’s often depicted on a circular or spotlighted place. So not only do we get a knowing nod to 3×15 “Quiet Minds,” we get a secondary reinforcement of the whole Dark Knight thing.

Emma Circle Batman Circle

The Sword in the Stone

Full disclosure. I want missing MerlinMerlin to be in Bermuda. They’ve got a really sweet looking poster out with a beautiful blue robe and a serious looking Elliot Knight. But. But. Listen, Once, I never ask you for anything. Give me this.

Anyway, We first see stony faced prophesying Merlin the magician in Minneapolis at an unusual marquee rerelease of the classic adaptation of The Once and Future King. We get a good look at Merlin in the film and young Arthur drawing Excalibur from the stone

Sir Kay, the treacherous knight that tries to draw Excaibur in Fairy Tale Land and gets dusted Buffy style for it is a nod to Arthur’s thuggish foster brother in the film. Nice touch.

Speaking of foster kids, Emma. Merlin’s got a tic.

Once Upon a Time in Wonderland

A previous Dark One, Gorgon the Invincible, is or looks like a bandersnatch.

Gorgon the Invincible

Fantasia

Mickey conjures the want Merlin gave him on the day he became the apprentice with the now familiar broom music playing over the scene.

Star Wars

Emma Force chokes the traveling peddler with her uncontrollable dark magic. The fear, excitement, and comprehForce Chokeension in the scene mirrors Anakin Skywalker’s descent toward the The Dark Lord of the Sith. Kitsiss and Horowitz are all over Star Wars.

Killian references the old wookie prisoner gag, nicely grabbing the reference within a reference to “Operation Mongoose,” which was also about altered circumstances in Fairy Tale Land. So this is technically an Inception reference, too.

Not enough? Zelena slying slips in, “So, this is a Rogue mission?” It’s all about word choice in context. Right here, it’s more writerly nerdery.

Rumple’s evil ghost-of-Obi-Wan urges Emma to use her anger. Classic Sith move.

Beauty and the Beast

Ruehl Gorm: “This Rose is now linked to your beast, Belle. As long as it still has petals he lives.”

Beauty and the Beast Rose

Shut up. I’m not crying. You’re crying. Seriously, they do this just to incite fans of the original. The imagery is so powerful that catching it in other stories evokes an emotional reaction. Rumpbelle should be over, but it’s not. Look!

Brave

The Will o’ the Wisp and the Hill of Stones are repurposed to force Merida and Emma into conflict.

Her trailer, oddly enough, pulls a shot directly from the film; which was itself a reference to the classic Robin Hood shot. Here’s hoping we get to see them both at a tournament.

 

And, of course, she mentions transforming into a bear. Because she has to. And her people’s lack of confidence in her suitability. Because this is what we want out of Merida. But both an uncontrollable transformation and faithless fraternities are themes for the season. Turning throwaway lines into major points is one of the things Once does best,

One Flew Over the Cuckoo’s Nest

Henry finally makes Nurse Ratched an official reference rather than a sight gag bolstered by a doppelganger of Chief Bromden.

Goodnight Moon

Robin’s carrying a copy when Zelena stops by. I’m gonna pretend it’s all a subtle reference to the death of the Apprentice. Goodnight mouse.

The Wizard of Oz

Zelena summons a tornado to cross realms. Because of course she does.

Garden Gnomes

Emma turns Sneezy to stone, fulfilling some sort of apotheosis for Regina, who no longer would do that, but probably always wanted to.

 

Erin’s Happy Shipper Moments

emmakillianembrace5x01The tables keep getting turned. Villains turned heroes. Savior turned dark. But in the end, the enduring question remains: can love save us?

Captain Swan

Hook’s focus to get Emma back is unwavering. It makes him snarky, sexy, and stupid. He’ll scrap with anyone in his way, mostly Robin and Regina. His initial attempt to call her to him using the dagger fails, indicating she’s not in this world.

Then he’s willing to be all manner of sneaky and stupid to open a portal to get her, even trying to take Zelena’s heart, but getting hoodwinked while Zelena escapes.

When he does reunite with Emma, he talks her down from killing Merida. Emma is surprised they have reached her. Hook responds: “Has anything ever stopped me before?” And to convince her to return the heart: “We can find another way…together.” Aww.

They hold hands into Camelot.

Sadly, things are not so romantic six weeks later.

Outlaw Queen

Regina snarls at Zelena at mention of the baby.

Even more tantalizing is the fact that when Zelena glamours herself to look like Regina and kisses Robin, Robin knows it’s Zelena immediately. He might have been fooled by a faux-Marian, but Regina’s kiss is far more memorable. Zelena hangs a nice bell on that fact.

Rumpbelle

Rumple is still comatose. I can only assume he’ll awaken, but the point here is that his lack of consciousness echoes the end of Beauty and the Beast. Belle holds Rumple’s hand, not wanting to leave his side should he die in her absence. “If he goes, I want to be with him.” And to make all the shippers swoon, the Blue Fairy gives Belle THE ENCHANTED ROSE to let her know that Rumple is still alive. You should already know the drill: as long as the rose has petals, Rumple lives.

But has he survived six weeks?

Swan Queen

Regina is set up as the lynch pin to saving or destroying Emma, depending on what the situation calls for. Hook is not. Regina’s failure to wield the wand due to too much light in her heart is a testament to the effect Emma has had on her. Swan Queen OTP. Ignore how distracted Regina is by her (faux) romance with Robin. She uses Zelena’s affection for Robin to open the portal to Emma, despite the danger to Robin.

When they do find Emma, and they offer her the dagger (idiots), Emma only trusts Regina with it, knowing that Regina cares enough about her to use the dagger well, whether that means command or kill. “Someone needs to watch me,” Emma says. “I saved you. Now you save me.”


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Once Upon a Comic Con

It was months ago. Season four had ended. We’d moved forward. We added another member to our family. There was a period of rest. And then this.

Once Upon a Time Season 5 Poster

So…

Coming This Fall: Once Upon a Time Season 5!
Spoiler Warning

Lets start with the changes in the cCamelotast. Michael Socha (Will Scarlet) is now a guest star rather than part of the main cast. However, Sean Maguire (Robin Hood) and Rebecca Mader (Zelena) have been promoted to series regulars.

Sinqua Walls will be returning as Lancelot. And new cast members include: Liam Garrigan (24: Live Another Day) as King Arthur; Joana Metrass (Sinais de Vida) as Guinevere; Andrew Jenkins (Wayward Pines) as Percival; and Eliot Knight (How To Get Away With Murder) as Merlin.

I’m still hoping they borrow, just a little, from The Sword in the Stone since it’s Disney’s adaptation of the Camelot mythology. So to the right there you see their animated counterparts. Yes, Guinevere appears only as a squirrel.

Percival doesn’t have a Disney version, so the addition of the character may indicate that Grail mythology will feature as part of the story line.

The cast revealed that Camelot is in the Enchanted Forest. But, series co-creator Adam Horowitz said:

“Camelot exists in a parallel timeline. It’s existed. How we portray it and show you, it’s existed long ago, short ago and maybe in the future. It may have co-existed with [when Hook was in the Royal Navy].”

Emma’s friends and family will be questing for Camelot in order to locate Merlin, the only wizard with the potential power to free Emma from the Dark One.

While the particulars weren’t available until last week, we knew that was the gist of at least part of the season. What we didn’t know was that there was another character waiting to be introduced. Amy Manson (Atlantis) has been cast as Merida from Brave and there’s a short clip of her showing off her skills.

But that’s not all. Comic Con brought us a first look at the Dark Swan. Emma appears to be imprisoned in the same cell that held Rumplestiltskin way back in season one. But could this be Camelot in some other timeline?

And finally there’s an official Comic Con Trailer recasting the events of Emma’s journey leading up to her sacrifice at the end of season four as a journey toward darkness.

I’m afraid I couldn’t help myself, so here’s a special edition of  “Always… no, no… never… forget to check your references.”

The poster is a reference to Black Swan, which sounds slightly cooler than Dark Swan. But they may have had some trademark confusion there. And, in a writerly sense, Dark Swan/wan/one has some pun appeal.

Black Swan Poster

Bonus points for the reverberations with Black Swan (1942): “An ex-pirate contends with rowdy buccaneers and a love-hate relationship with an aristocratic woman who’s tougher than she seems.”

The Merida bit, of course, is collaged straight from the film:

…which is itself a bit of a play on these two scenes from Robin Hood


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Early Observations about “Lily”

There’s almost too much of everything in this episode. Too many references to do them all. To many shipper moments to catch your breath.

Michael’s “Always… no, no… never… forget to check your references.”

Lily

The Flower symbolizes friendship and devotion. Which helps explain why every other word launced a ship. And ties in nicely to the Emma/Lilith relationship over time.

The opening scene is a smorgasbord.

Once Upon a Time “Best Laid Plans”

This scene picks up immediately after Isaac’s imprisonment.

Fantasia – “The Sorcerer’s Apprentice”

As always, The Apprentice is accompanied by theme music based on the film.

4x20 Apprentice - stairs

Mickey The Apprentice traipses down the stairs to the Sorcerer’s… what is this place anyway?

According to The Disney Audio Archive and Sterling Holloway, “Once upon a time, in a deep dark cave way down underground, there lived a mighty sorcerer.” So that’s cannon anyway.

The Sword and the Stone

The Sorcerer finally manifests himself as blue smoke with white stars and red lights. It’d be an incredibly interesting coincidence if this weren’t intentional.

4x20 The Sorcerer and Merlin

Star Wars: Episode I – The Phantom Menace

The Sorcerer sounds a lot like Palpatine, particularly with the diminutive, “my Apprentice.”

The Invisibles

Ragged Robin Ganzfeldt Tank SmallSeveral works of fiction have dealt with authors entering into or getting trapped in their own stories, but few have dealt with them continuing to write inside. In Volume 2 of Grant Morrison’s magnum opus, the reader learns that Kay actually wrote herself into the story. A feat which required technology, magic, and time travel.Tom O Bedlam Small

Being trapped inside might not be inherently bad; though Isaac doesn’t seem to have been too fond of it. Coincidentally, The Apprentice looks an awful lot like Tom’O’Bedlam, greatest sorcerer of his age.

 

The Hero with a Thousand Faces

Jennifer Morrison actually mentioned this title on Facebook and Twitter a couple weeks ago.

Gold: We won’t have what we need to rewrite the book, to secure our happy endings, until Ms. Swan has completed her journey.

We’d be forgiven for assuming he means only the dark path he mentions next. But in a sense, that’s just the latter phase(s) of the hero’s journey, dramatized below by Ryan Dunlavey in Action Philosophers.

Hero's Journey

 Star Wars: Episode VI – Return of the Jedi

Gold (again): The savior has taken the first step down a dark path.

Led Zeppelin and Jack of Fables4x20 Lilith Page

Lily’s adoptive parents are James and Priscilla Page. They’re named page to tie in with all this author stuff, The first names are clever. Jimmy Page’s guitar could scream for Adam and Eddie as easily as Tolkien. But Priscilla Page is a bold move. Fables is an ongoing comic book series with a conceit similar to that of Once Upon a Time. Priscilla Page handles retrieval, capture, and return of Fables to the Golden Boughs Retirement Village.

Paradise Lost

With Lily explicitly noting the savior.anti-savior setup they have going, it’s probably safe to revisit one of the greatest stories of hubris in the Enlish language.

Regina: How about we make this the day we both beat fate?

Nether of them actually do, of course. Emma picks up an embodied nemesis and Regina finds Robin bound by his sense of honor to remain with Zelena.

Lost

Emma’s foster family serves Mr. Cluck’s Chicken Shack for dinner despite having a two thousand dollar espresso machine,

Once upon a Time in Wonderland

A chess board with the white pieces closest to the camera and more to the left than their black counterparts dominates the foreground while Belle says goodbye to Will, recalling the White King.

4x20 White King

Scooby-Doo

Will: If you’ve come here to hurt me,Will Scrappy you best get on with it. But I warn you, I’m scrappy.
Gold: All right, Scrappy.

Scrappy is the original Poochy, added to the ABC series Scooby-Doo in 1979 in an effort to bolster ratings. It worked, but oversaturation ultimately squandered fans’ goodwill. He’s a universally unpopular character and the trope namer for characters with hatedoms rather than fandoms.

However, the reference here is both to Will’s boxing style and his willingness, even eagerness, to begin a discussion with fisticuffs. The image is from 4×11 because even he knows punching the Dark One is silly.

Weekly World NewsWeekly World News – The World’s Only Reliable News

Once a supermarket checkout aisle staple, The Weekly World News published its last issue in 2007. Consisting of mostly fictional material, the tabloid occupied a sort of fairy tale space in American culture for nearly three decades. Pinocchio’s story would not have seemed out of place on the cover as “Toy Becomes a Real Boy.” And it would have ran without a disclaimer.

Maleficent

First things first. You cannot escape this car in a Volkswagon Beetle. Even if you’re the Antisaviour.

4x20 Sylvia

Other than that, we mostly want it for the license plate that connects Lily to Maleficent via the 2014 movie. Rhea Sylvia conceived Romulus and Remus, founders of Rome with the god Mars. She was a minor forest diety, a spirit of the forest, like the movie Mal.

Disney Descendants

Snow and Charming have a dateughter. And a son. The Evil Queen has a son. Maelficent has a daughter. Zelena’s pregnant. What does it all mean? Hopefully not this. (Although Kristin Chenoweth is always a delight.

Erin’s Happy Shipper Moments

Captain Swan

  • killiannothingtoliveforAlthough Hook himself isn’t in much of the episode, he and Emma have a key romantic scene. As Emma is saying her good-byes to the fam before she and Regina road trip it to New York, Killian gives her one last encouragement on how to keep from the dark side as a man who started as a hero, turned dark, and has had to work his way back. She asks him why he gave in to the dark path of revenge. “I had nothing to live for. You have your parents, Henry…” “You,” she supplies wryly. “Aye, me. And I you. That’s what’s kept me on my path now. Use whatever it takes to stay on yours.” If Emma does go dark, or on the brink of it, and all signs seem to point that way, I’m hoping Killian will be the one to bring her back.

Swan QueenReginaSmilesatEmma

  • This is a Swan Queen episode if ever there was one. Regina is the one to comfort Emma when she finds her staring at the microfilm article about baby Lilith Page, empathizing about being fate’s plaything–Emma’s only friend may have been her darkside doppleganger, but Regina managed to adopt the Savior’s son. In the first half of the season, this role was being filled by Killian, but now Regina has stepped in. Regina suggests they road trip to New York. Emma says she doesn’t need a babysitter, but Regina responds by saying perhaps she needs Emma. “But maybe I need you. You lived in New York; I’ve barely been outside of Storybrooke. How ’bout it, Swan? How ’bout we make today the day we both beat fate?”
  • On the road trip, Regina attempts to find out more about the story of Emma and Lily, leading to the various flashbacks, although it doesn’t seem that Emma shares the information from those flashbacks with her. Instead, as Emma is challenged by her feelings of anger, fear, and aggression (the Dark Side of the Force are they), Regina is constantly trying to pull her back, make sure she’s okay and not crossing lines she can’t come back from. Most noteably this happens when Emma has Lily on her knees at a point of a gun and Regina talks her back from killing her. What’s at stake for Emma: Lily knows the whole story and wants revenge against Emma’s parents. By killing Lily, Emma would be protecting her family. This was the Cruella justification. But this time, Emma knows Lily can’t kill anyone, at least not at the moment. There is time for other options. Regina points this out and makes it clear that if she crosses this line, the path back is not easy. “Your parents need a hero, not a murderer…Cruella was an accident. But if you cross this line, the journey back isn’t easy. Trust me. I know.” And Regina reaches her.

Lily Swan

  • Of course, the other major ship that got play this episode was Lily Swan. All of the talk of fated, entangled lives. All the discussion of Lily being in darkness and life being lighter when Emma is around. All of that can easily be read as soul-crossed lovers stuff. Among the best of these lines: “Emma was the first person who really understood me. You know, like we were meant to come into each other’s lives.”
  • But also: “My life is filled with darkness. When you’re around, things are brighter.”
  • And the set designers are fine leaving the ambiguity there. When Emma and Regina enter Lily’s mobile home, there is a colorful banner hanging over her couch. It’s one of those multicolored prayer banners with the many different religious symbols to guide a person to enlightenment–clearly a character-building detail–but it also reads as a gay pride banner to anyone looking for clues of that sort.

banner

Dragon Queen

  • Regina looks truly excited and impressed when Malificent crashes the family meeting to get Emma on the case of finding her daughter. “I knew Gold couldn’t keep the dragon on her leash for long.”

reginasmilesatmal

Rumpbelle

  • Gold enlists Will’s help to retrieve Belle’s heart. But the banter that opens the deal is priceless. While Will certainly doesn’t want to work with Gold, he does want Belle to have her heart.
  • The mission is a success, and Rumple gives back Belle’s heart while also seemingly bowing out of the love triangle. Gold: “We [he and Will] share one thing in common–we both care for you… I’m not asking for forgiveness. I spent every day of our marriage deceiving you when I shoulda been trying to make you happy. Now it’s too late. My heart is nearly black. If I continue hurting you, then there’s no hope for me. I’m going to return this [her heart] to you, Belle. But he’s [Will] the one who is going to protect it, because I’ve proven unworthy.” When he leaves, she turns to go after him or say something at least. Will tries to take her hand but she pulls it away. Now, on the one hand, this could be sincere change in Rumple, a move that deserves Belle cracking her heart open to let him back in. But, on the other hand, this could be a calculated move to sully Will in her eyes by teaming up with him, magnanimously giving back her heart, both literally and figuratively, and showing repentance and a lack of jealousy.

Scarlet Beauty

  • The same scenes that play into the Rumpbelle fandom play here, but less well. The scene opens with Belle and Will kissing before Belle goes off to babysit for a bit. Will, when originally approached by Gold, readies himself for a fight. Although he doesn’t trust Gold, he cares enough about Belle to take a chance to get her heart back.
  • But why does he back up so when Rumple gives her heart back? Rumple gives a line that might be a clue to another twist in this story: “But he’s the one who is going to protect it, because I’ve proven unworthy.” At face value, it would seem Rumple is talking about Will making her happy. But there’s another option, a more literal one. Perhaps Rumple put Belle’s heart in Will’s body and Will’s heart in Belle’s body. Thus he would literally be protecting her heart, and the one in her chest, the one that Regina might seek to remove again for leverage, would actually be Will’s. He would take the chance rather than her. It’s a bit convoluted, but not outside of the range of plausibility.

Outlaw Queen

  • Good grief. Where to start? This story line went from bad to worse in the span of five minutes. But let’s begin at the good. Regina travels to New York to save her love Robin Hood from her insane sister. I like the twist of the normal trope here–the princess needing to be rescued from the evil king.
  • The bad. Then, at the end of the episode, she finally makes it to New York, gets reunited with Robin, tells him Marian is actually Zelena, and (conveniently) it was Zelena who killed Marian (not her). She can’t understand why Robin is so reticent to believe her, to grab Roland and make a run for it.
  • The ugly. Then Marian returns home, and all hell breaks loose. First, Zelena attempts to play Marian and get Robin on her side. This works for a while, until Regina makes a move to find the magical artifact allowing Zelena to look like Marian and Zelena brings down the illusion to reveal to Robin the truth. Robin is aghast. Zelena is pregnant. He can’t leave her.
  • robinreactsWhy is this ending so ugly? Because Robin was raped (or merely sexually assaulted by some state’s definitions). It’s bad enough for OQ shippers that he would consent to sex with Marian, and certainly that is one of the implications of Zelena’s pregnancy. But the fact that he was consenting to sex with Marian, not Zelena, means that Zelena raped him. The ugliness of this is that the show runners won’t likely treat it as such. Already, he means to stay with Zelena out of honor. I understand him wanting to make sure the baby is healthy and protected, but the whole turn of events, besides being needlessly soap-operatic, is likely going to do little justice to telling a story of male rape. And that’s a damned shame. Treat it respectfully, or find another way to challenge the Regina/Robin relationship.